A few drafts in, we get so familiar with our YA manuscripts that the story begins to feel like an old friend. We know it backward and forwards, where each scene is and what happens in each scene. But we also smooth out the edges in our minds and it becomes harder and harder to look at our manuscripts with a critical eye. We get to a point where we go over all our pages only to discover we don’t know how to push them forward. To help out when that happens, we’ve compiled a few prompts to help you get fresh eyes on your story

Katherine Rothschild is a Lecturer in the Program for Writing and Rhetoric at Stanford University, a former ballet and Arabic dance instructor, and an obsessive Twitter food truck-follower. Her first-person essays have been published on KQED/NPR, in The San Francisco Chronicle, and in several other Bay Area and California publications, and her academic work is published by Purdue University Press.

A few drafts in, we get so familiar with our YA manuscripts that the story begins to feel like an old friend. We know it backward and forwards, where each scene is and what happens in each scene. But we also smooth out the edges in our minds and it becomes harder and harder to look at our manuscripts with a critical eye. We get to a point where we go over all our pages only to discover we don’t know how to push them forward. To help out when that happens, we’ve compiled a few prompts to help you get fresh eyes on your story

Whether writing contemporary, historical, sci-fi or fantasy, an interview can be a great opportunity to develop a character or learn about something you didn’t know about before.

A few drafts in, we get so familiar with our YA manuscripts that the story begins to feel like an old friend. We know it backward and forwards, where each scene is and what happens in each scene. But we also smooth out the edges in our minds and it becomes harder and harder to look at our manuscripts with a critical eye. We get to a point where we go over all our pages only to discover we don’t know how to push them forward. To help out when that happens, we’ve compiled a few prompts to help you get fresh eyes on your story

Most novels, whether they take place a hundred years ago or two years ago, require research.

Mentors provide wisdom, support, critique and feedback at any stage of your career. Through one on one meetings on a regular basis, mentees grow in their field and their craft.

Imagine this: a mug of hot coffee in your hand, a pencil and notebook in your backpack, and a group of fellow writers all sitting at the round table of a local bookstore cafe, waiting to talk about your writing.

You’ve finished your first, second, third and however many you need drafts. You’ve edited and re-edited your book with help from resources like this book and this book. Now it’s time to share your work with others and see what they think.

As a YA writer, you might be located in any part of the world. At one point, your resources for writing might have been limited by how far you could travel. However, with the internet and the spread of online learning, it’s become more common to take writing courses from your computer.

You’ve written your first draft, second draft and perhaps a few more. You’ve gotten your book as far as you can and you’re thinking about the next step–sharing your work. Placing your words in the hands of beta readers is a daunting task. It can be scary to share your story–but feedback from others can really make your manuscript shine.

You’ve written your first draft, second draft and perhaps a few more. You’ve gotten your book as far as you can and you’re thinking about the next step–sharing your work. Placing your words in the hands of beta readers is a daunting task. It can be scary to share your story–but feedback from others can really make your manuscript shine.