
Genre Jargon: How the SFF and Literary Worlds Speak about Themselves and Each Other
I always tell my writing students that today is an exciting time to be an author interested in both genre and literary fiction. That the barrier between the two is dissolving, that readers care little about labels, that even the Pulitzers and National Book Awards have genre works among the finalists, and that authors like Kelly Link or Carmen Maria Machado or Ted Chiang or Jeff VanderMeer can build readerships in both fields. And all that’s true. But at the same time, the literary and genre worlds remain in some ways very separate.